![]() ![]() Klintoff (Sam Reid) - to keep them safe while she prepares to give birth - Molly befriends an aboriginal fugitive, Yadaka (Rob Collins), who knows a few secrets about her past. After she sends her kids away with her district’s in-over-his-head lawman, Sgt. Purcell wrote and directed the film and also stars as Molly, a pregnant mother left alone on a small farm with her children while her husband is gone. The actor Leah Purcell reinterprets Australian writer Henry Lawson’s classic “woman against nature” short story “The Drover’s Wife” in “The Legend of Molly Johnson,” which she previously adapted into a play and novel. ‘The Princess.’ TV-14, for mild violence, adult language and adult content. Even the many who loved and supported Diana - who far outnumbered the skeptics - robbed her of some of her humanity, just by treating her as an icon. But it’s also a cautionary tale, which lets no one off the hook. “The Princess” is absorbing and surprisingly intimate, given the sources Perkins used. But as the tabloid scandals mounted, it seemed everyone with access to a microphone had an opinion about her choices and her motivations. A shy bride in her earliest public appearances, the princess later used the spotlight to draw attention to children’s charities and public health issues. One of the most remarkable revelations is how well Diana handled the constant questions and camera clicks. Director Ed Perkins’ documentary “The Princess” is a nerve-wracking inside look at this phenomenon, seen via the dual perspectives of the British royal family and the people who scrutinize their every move - sometimes adoringly, sometimes cynically.Įschewing narration, new interviews or onscreen titles, Perkins (best known for the heartbreaking doc “Tell Me Who I Am”) covers the life of Princess Diana, from her marriage to Prince Charles to her death, using only news clips and home movie footage to emphasize the pressures of fame. Available on Paramount+ ‘The Princess’Īlong with the loss of privacy, celebrities often lose the power to control their own story the press and the public turn them into broadly drawn types, squeezed into soap opera narratives filled with romances, betrayals, heroism and villainy. ‘Orphan: First Kill.’ R, for bloody violence, language and brief sexual content. The movie is equal parts clever and trashy, made for people who like to see very good actors play people who are very bad. After the scam is underway, “First Kill” falls into a similar pattern to its predecessor as “Esther” integrates herself into her new home and then starts acting strangely, manipulating people to get what she wants and putting the ones who distrust her in harm’s way.īut director William Brent Bell and screenwriter David Coggeshall spring a surprise partway through the film, and from there, “First Kill” toys with the audience’s sympathies, pitting multiple terrible people against each other, flipping our rooting interests regularly. “First Kill” is an origin story, going back to when the villainess Leena Klammer escaped from an Estonian mental hospital and passed herself off as Esther Albright, the long-missing daughter of a wealthy American family. More importantly, the effects keep Fuhrman in the franchise … and Fuhrman has gotten even better in the dozen years since she last played this character. ![]() The results aren’t “realistic” per se, but they’re effective enough, if you keep in mind that something’s supposed to be a little off about this child. “Orphan” featured a stellar cast - including Vera Farmiga, Peter Sarsgaard and the phenomenal newcomer Isabelle Fuhrman - bringing unexpected nuance to a pulpy story of murder and deception.įuhrman returns for the prequel, “Orphan: First Kill,” though because the actor is now in her mid-20s, practical effects have been used to make her pint-sized psychopath look suitably small. The other twist was on the production side. First: The “kid” turned out not to be a kid at all, but rather a ferociously evil woman with a disorder that made her look like a 9-year-old. The hit 2009 horror film “Orphan” was an effective “creepy little kid” thriller with two strong twists. ![]()
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